It's the elevated train that used to run up and down Manhattan until the mid-1950's, when it was decommissioned and turned into scrap metal.
Despite this, you can still experience the trip through New York City that vanished over half-a-century ago, not only from the overhead view of the train window, but through the actual neighborhoods and with the authentic people who road it daily.
A beatnik photographer with a tripod, a stumbling drunk from the old Bowery, a giddy little girl traveling with her father, and a couple on a romantic excursion help create a loose narrative.
For the soundtrack, a sprightly rendition of Haydn's Concerto in D for Harpsichord is accompanied by all of the real sounds of a metropolitan elevated subway trip. Along with it's superb photography and creative editing, a of viewing '3rd Avenue El' is like taking ten minute vacation to a place that is no more.
In this re-discovered clip, the classically trained Bill Powers sings an operatic rendition of the song Caroline. A performer with with few if any informative references online, he is accompanied by the similarly under-appreciated member of the Brown Sisters on piano.
It's Rosalie Allen, who taught herself to play music as a child in Pennsylvania on her brother's guitar. Involving herself with radio, she scored her first hit covering Patsy Montana's "I Want to Be a Cowboy's Sweetheart."
In this piece, Rosalie sees her beau off to war, a scenario the world has seen a little too much of lately ...
Later, Rosalie Allen would become a popular County & Western DJ in NYC through the 1950's, and later opened up her own retail C&W music shop.
Vaudeville / Music: A Few Moments with Eddie Cantor
Stage, radio and film star Eddie Cantor puts on a classic vaudeville routine, including a few jokes sandwiched between breaking into song.
One of the biggest entertainers of the early 20th century, the type self-deprecating humor he helped define can still has influence today with comedians such as Letterman, Conan and Jon Stewart.
Musical numbers include the daffy "Oh, Gee, Georgie" and the irreverent "The Dumber They Come, The Better I Like 'Em," arguably a classic even by today's standards.